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About Pacing House
Pacing House is the video post-production studio of editor Bishal Nneupane, working remotely from Pokhara, Nepal. I edit long-form YouTube videos, Shorts, Reels and TikToks, video podcasts and clips for creators and brands in the US, UK, Australia, India and Nepal. It is one editor, not an agency: the person who cuts your test edit edits every video after it.
Who I am
I'm Bishal Nneupane, a video editor based in Pokhara, Nepal. Pacing House is the name I edit under. The studio is solo-led, so the site speaks in the first person: there is no account manager between you and the timeline.
My editing work centres on YouTube retention pacing, 9:16 vertical shorts and clean timeline assembly. I also handle sound design, motion graphics and colour grading, including LOG footage graded to Rec.709.
Outside editing, I work in agricultural research, focused on precision agriculture and remote sensing. That work lives on my personal site. This site is only about video.
What I edit
YouTube video editing
Retention-focused editing for creator channels, from story and pacing to sound, colour and short-form cutdowns.
See the service → Long-formLong-form video editing
Story, hooks and pacing for horizontal YouTube videos.
See the service → 9:16 verticalShorts, Reels and TikTok
Vertical edits with hooks, captions and motion for YouTube Shorts, Instagram Reels and TikTok.
See the service → PodcastsPodcast video editing
Full multicam video podcast episodes plus vertical clips, quoted per episode.
See the service → ClippingVideo clipping services
Long podcasts, streams and videos turned into standalone vertical clips.
See the service → Post-productionVideo post-production
Edit, sound mix, Rec.709 colour, motion graphics and captions for creators and brands.
See the service →How I work
DaVinci Resolve end to end
DaVinci Resolve Studio for the cut, grade and delivery, with Fusion for motion and kinetic captions and Fairlight for dialogue and sound design. After Effects comes in when a shot needs motion graphics.
Notes on the frame
Story and pacing are locked in the first cut before any polish. Notes come back as timecoded Frame.io comments, and day-to-day messages go through email, WhatsApp or a shared Slack channel, all in English.
Your storage, your project
Footage arrives through Google Drive, Dropbox or Frame.io. Delivery can include a 4K master, thumbnail grabs and the Resolve project, where third-party licences allow transfer.
NDA and invoice
I can review your NDA before footage is shared. Work is invoiced, and payment method and currency are confirmed in the quote.
Overlap with your day
Nepal runs on UTC+5:45. I schedule calls in US, UK and Australian working hours, and replies come within one business day.
Why one editor rather than an agency
The upside is continuity. The person who cuts your test edit is the person who edits every video after it, so your pacing preferences, brand assets and notes don't get handed between people.
The trade-offs are real. One editor has fixed capacity, so larger projects get a confirmed schedule based on runtime, footage volume and scope rather than an open-ended promise. Retainers have defined footage and revision limits, and unused monthly capacity does not roll over. Filming, thumbnails, social posting, custom animation and multilingual transcription are not part of the standard packages and are quoted separately.
If you publish at a volume that needs several editors at once, an agency may fit better. The freelance video editor vs agency guide compares the models.
Pricing at a glance
Rates are in US dollars and are the same for every market. The full pricing section lists what each package includes.
Paid Test Cut
One video up to 5 finished minutes, or two shorts up to 60 seconds each, from up to 45 minutes of footage. One revision round; first cut targeted in 3–5 business days.
Weekly Creator Retainer
Four long-form videos up to 12 finished minutes each, plus eight shorts from the same footage, with full sound, a Rec.709 grade, two revision rounds and project files.
Shorts / Reels Sprint
Fifteen vertical videos up to 60 seconds each, with captions, light motion and sound effects, and one consolidated revision round per batch.
Work
Case study: Hancy Dai
For a brand in Pokhara, I directed and shot one two-hour factory walkthrough, then edited it into ten short videos for TikTok and Instagram, each under 50 seconds. The brand reported 6,000 new TikTok and 2,000 new Instagram followers during the 45-day publishing period, presented as context, not a guarantee.
Read the case study → All workCase studies
What was shot, how it was cut, and the results reported during each publishing period.
See all case studies →Contact
Email hello@pacinghouse.com, message me on WhatsApp, or send a brief through the contact form. I'm open to new projects every week.
Try one video before you commit to anything.
One paid test cut, one fixed price, one real deadline.