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Remote from Nepal · US-hour overlap

Remote YouTube Video Editor for US Creators

I edit long-form YouTube videos and vertical cutdowns from Pokhara, Nepal. For US creators, I schedule briefs, handoffs and review windows around agreed US working hours—without pretending to be a local studio.

What remote editing looks like across US time zones

The process is asynchronous by default, with live overlap planned where it helps. That keeps projects moving whether you work on Eastern, Central, Mountain or Pacific time.

01

A clear handoff

Send footage, a brief, brand assets and references through the agreed file-transfer route. I confirm scope before editing begins.

02

US-hour review overlap

I work US hours for scheduled communication. The practical review window is agreed at kickoff instead of relying on an assumed local office.

03

Timecoded feedback

Consolidated, frame-specific notes make revisions clear even when both sides are not online at the same moment.

Start with one real edit

The $95 paid test cut lets you judge the pacing, communication and review process using your footage. After the complete files and brief arrive, I target the first cut within 3–5 business days; larger scopes receive a separate schedule.

Questions from US creators

Are you based in the United States?
No. I work remotely from Pokhara, Nepal and arrange communication overlap with US working hours.
Can you work with US creator schedules?
Yes. I work US hours for planned calls, handoffs and review windows, with the exact overlap agreed before the project starts.
How can I test the editing workflow?
Start with the $95 paid test cut. Once the complete footage and brief arrive, I target the first cut within 3–5 business days.
Remote post-production

Send one brief. Test the working rhythm.

A fixed-scope first project before any longer commitment.