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A video editor in Nepal, working your hours
I'm Bishal Nneupane. I edit from Pokhara as Pacing House, for creators and brands in the US, UK and Australia. Based in Nepal yourself? See the Nepal studio page; in India, editing for Indian creators.
What hiring remotely actually looks like
The usual worries about an overseas editor are time zones, payment and trust. This is how each one is handled.
Replies inside your working day
I arrange working hours around each project so feedback can overlap with US, UK and Australian business days. Nepal runs roughly half a day ahead of the US, which can also make overnight handoffs practical.
Pay the way you already do
Available payment methods and currency are confirmed in the project quote, with an invoice for the agreed work.
NDA before any footage moves
I can review an NDA before the project begins. Files can travel through Google Drive, Dropbox or Frame.io, whichever you already use.
Nothing locked away
An organised DaVinci Resolve project can be included with the agreed delivery when source assets and third-party licences allow transfer.
What I edit
YouTube video editing
Hooks, pacing, pattern interrupts, sound design and a Rec.709 grade, built for audience retention.
See the service → 9:16 verticalShorts, Reels and TikTok
Fast hooks, kinetic captions and seamless loops, on their own or cut from your long-form.
See the service → Made in PokharaCase study: Hancy Dai
A local brand, one factory shoot and ten cuts. The brand reported 8,000 new followers during the 45-day publishing period; the full case study explains the context.
See the results →Questions from overseas clients
How fast is the first cut?
How do we talk during a project?
Is there a low-risk way to try working together?
Try one video before you commit to anything.
One paid test cut, one fixed price, one real deadline.